Plastic Podcast

The venerable and exceedingly intermittent Plastic Podcast, which has outlived the two blogs with which it was intertwined, and whose audio archives were difficult to ...

The Plastic Podcast

An audio program about movies. Listen with your iPod or computer.

Plastic Podcast

The venerable and exceedingly intermittent Plastic Podcast, which has outlived the two blogs with which it was intertwined, and whose audio archives were difficult to ...

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About

Daily Plastic is a Chicago-based movie blog, a collaboration between Robert Davis and J. Robert Parks, the same pair who brought you the wearable movie tote, the razor-thin pencil pocket, and that joke about aardvarks. If you know the whereabouts of the blue Pontiac Tempest that was towed from the Plastic Parking Lot on the evening of August 7th, 2008, or more importantly if you've recovered the red shoebox that was in its trunk, please contact us at your earliest convenience.

Davis was the chief film critic for the late, great Paste Magazine (which lives on now as a website) from 2005 through 2009, and he counts this interview with Claire Denis among his favorite moments. Every once in a while he pops up on Twitter. He's presently sipping puerh in Chicago, even at this hour. Meanwhile, Parks, whose work has appeared in TimeOut Chicago, The Hyde Park Herald, and Paste, is molding unsuspecting, college-aged minds in the aforementioned windy city. Media types are warned to stay clear of his semester-sized field of influence because of the distorting effects that are likely to develop.

The © copyright of all content on Daily Plastic belongs to the respective authors.

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Abbot Gensler/Sony Pictures Classics
Emily Watson, Samantha Morton, Philip Seymour Hoffman, and Tom Noonan in Synecdoche, New York

Ah, Toronto. I only come once a year, and then I spend more time in dark rooms than roaming the city, but the very word ‘Toronto’ inspires anticipation and delight. For a film critic, it means a festival lasting ten days in early September, and that means movies--30, 40, even 50 of ‘em, depending on your stamina. I’ve been going six years now, and some of my favorite films of the decade are ones I saw here first: 4 Months, 3 Weeks, and 2 Days; You, the Living; Still Life/Dong; Be with Me; Tropical Malady; and Shara.

Waltz with Bashir won’t crack that list, but it’s close. It’s an animated documentary--an unusual combination--done in a style that recalls a cross between Richard Linklater’s Waking Life and certain graphic novels. Writer and director Ari Folman attempts to reconstruct what happened during the infamous 1982 Sabra and Shatila massacre. Folman was an Israeli soldier when Israel invaded Lebanon. Three months into the invasion, the Lebanese Phalangist party entered the Palestinian refugee camps and slaughtered hundreds of refugees. Whether the Israeli army was complicit in the killings has always been disputed. Israeli soldiers were surrounding the camps, but it’s unclear how much they realized of what was going on, though later an Israeli government commission found General (later Prime Minister) Ariel Sharon “personally responsible.”

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Ari Folman and David Polonsky/Sony Pictures Classics
Ari Folman's Waltz with Bashir
In anticipation of the Toronto International Film Festival, Daily Plastic presents an exchange between the plastic proprietors, Robert Davis and J. Robert Parks.
To my esteemed colleague Mr. Parks:

The multiplex is a dead zone in August. In recent weeks we've managed to find a few films worth seeing in theaters (see the higher altitudes of the movie grid for a few), but in general it's a wasteland. You know it, I know it, and everyone brought up by decent parents knows it.

But it's coming to a close, and how can I tell? Because I'm getting excited about what's left to see this year, and here in North America, nothing kicks off the last trimester like the Toronto International Film Festival. Running from September 4-14, it showcases over 200 new films from established international masters and Hollywood hacks alike. There, in Canada, the twain shall meet and share a cup of tea.

The festival kicks off on Thursday, and we'll be blogging from the ground, but while we're waiting around, muttering, let's get the lay of the land. J. Robert, is there anything you're particularly looking forward to, or are there any films in the schedule that you can comment on today?

Before I run down the list of films I'm most eager to see, I can offer brief impressions of eight films that have already screened for press in the U.S. or have played at earlier festivals, three of which I enjoyed a great deal:

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