February 28, 2014
At A Glance
The venerable and exceedingly intermittent Plastic Podcast, which has outlived the two blogs with which it was intertwined, and whose audio archives were difficult to ...
The Plastic Podcast
An audio program about movies. Listen with your iPod or computer.
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The venerable and exceedingly intermittent Plastic Podcast, which has outlived the two blogs with which it was intertwined, and whose audio archives were difficult to ...
Other Recent Podcasts
About
Daily Plastic is a Chicago-based movie
blog, a collaboration between Robert
Davis and J. Robert Parks, the same pair who brought you the wearable
movie tote, the razor-thin pencil pocket, and that joke about aardvarks.
If you know the whereabouts of the blue Pontiac Tempest that was towed
from the Plastic Parking Lot on the evening of August 7th, 2008, or more
importantly if you've recovered the red shoebox that was in its trunk,
please contact us at your
earliest convenience.
Davis was the chief film critic for the late, great Paste Magazine (which lives on now as a website) from 2005 through 2009, and he counts this interview with Claire Denis among his favorite moments. Every once in a while he pops up on Twitter. He's presently sipping puerh in Chicago, even at this hour. Meanwhile, Parks, whose work has appeared in TimeOut Chicago, The Hyde Park Herald, and Paste, is molding unsuspecting, college-aged minds in the aforementioned windy city. Media types are warned to stay clear of his semester-sized field of influence because of the distorting effects that are likely to develop.
The © copyright of all content on Daily Plastic belongs
to the respective authors.
While on Coraline, I was wondering if the Daily Plastic gurus had seen Nina Paley's animated film Sita sings the Blues: http://www.sitasingstheblues.com/
It's hilarious, combines the Hindu epic Ramayana with Indonesian puppet narrators and Paley's autobiographical account set in modern day New York.
Hi Anindita. I haven't seen it, yet, but my friend Doug at Filmjourney has been talking about it for a while, and he recently posted about its availability online for free viewing. I'll have to check it out.
Oh, I saw it online on thirteen.org too. NYT reviewed it in the second Feb and I think very few people outside the animated film festival world had heard about it till then.
Very powerful exercise in subverting copyright laws. I hope Paley makes money though. And I hope you enjoy it.